Author Archives: Stephen Oram

Stimulate your dreams

If you’re looking for alternative bedtime stories or flashes of near-future fiction to infiltrate and steer your dreams then look no further.

In no particular order, pick the one you fancy and then take one a night or binge on the lot, the choice is yours…


  1. Everyday Stims: drugs for work, for play & establishment hypocrisy
  2. Make Me As You See Me: extreme body modification
  3. Loans for Limbs: who owns the tech in your body?
  4. I Want To Be Pure For Him: purging memories for a new lover
  5. The Never Ending Nanobot Nectar: the future of sex and drugs?
  6. Pumped Up Presidents: the descendants of Trump and Putin
  7. Effort Less: valuing work differently
  8. The Queen’s Heart: if we could converse with our organs
  9. The Potential: a surveillance butler follows your lover
  10. The Blockchain Blues: democracy muggers and micro-voting
  11. Placodermi Protection: new born babies, VR and ancient fish
  12. Modified Manhood: fertility food and the Procreators

photo credit: patrick.verstappen Strangled via photopin (license)

Imagine (and act) if you can.

“The future is ours and it’s up for grabs…”

I know this is a phrase I use a lot, but it really is true. There’s a lot of talk at the moment about what the ‘new normal’ will look like. Well, who do you think will decide that?

Us, hopefully.

I wrote an article before this crisis that discussed whether to write dystopias or utopias. I settled in the grey area between the two where real life takes place, using the conflict of getting from a dystopia to a utopia as the basis for the story. The article ended with a quote from Laurie Penny that is at least as pertinent now as it was in 2015 when she said, “Right now, the future seems dark and frightening and it is precisely now that we must continue to imagine other worlds and then plot ways to get there.”

Fiction is one way of imagining and plotting a new future, and science fiction that deals with the near-future is well placed to do that. A lot of my work is written with that in mind, often with a warning of what best to avoid, as well as a glimpse into the positive side of humanity and its emerging technologies.

As this review from Orchid’s Lantern says, “In summary, Biohacked & Begging skillfully extrapolates ideas from cutting-edge tech and applies them to daily routines, exposing our greeds and vulnerabilities but also, I think, our saving graces.”

That’s my current challenge – to write stories that at least point to the possibilities of a better future. That’s not to say they have to be idealistic about us humans or evangelistic about the fragile technology, that would be naive. But, they can explore the grey area that is our day-to-day reality in a way that gives options, and positive ideas about the different directions we can take.

My point being that there is no magic solution to our future, but the more of us that get involved in understanding its possibilities and then shaping it, the more likely we are to get a future that works for us all.

Over the past couple of weeks while I’ve been thinking about this I’ve been reminded of quite a few stories from my collections. One of these is Effort Less, which imagines a different way of attributing value to someone’s work. Others are US and Biohacked & Begging; both set in the same world where human skin is designed crack and fail without human contact.

Is it stupid to believe that fiction can be of any use other to help us escape the dystopia we find ourselves in?

Well, as Ursula LeGuinn said in 2014, “Hard times are coming, when we’ll be wanting the voices of writers who can see alternatives to how we live now, can see through our fear-stricken society and its obsessive technologies to other ways of being, and even imagine real grounds for hope. We’ll need writers who can remember freedom – poets, visionaries – realists of a larger reality.

So for those of us that are safe and secure enough to have the luxury of being able to think beyond tomorrow, let’s be angry about what’s wrong, warn about what could go wrong and paint some positive possibilities of what could be.


photo credit: solutionist999 12611897_m via photopin (license)

Stop the Dystopia, I Want To Get On

Whether to write dystopian or utopian stories is an ongoing choice for science fiction writers and something I’m often questioned about. I’ve been pondering this for a while and my thoughts to date are featured in this month’s Focus, the British Science Fiction Association’s magazine for writers.

As the editor says, “Stephen discusses the implications for writers and also explores whether it’s a binary choice between the two.”

PS this was written before the current crisis, but it’s probably even more pertinent now.


photo credit: tsbl2000 Evening Class via photopin (license)