Tag Archives: short story

Is it a collection for commuters?

I’m told that we have a shorter attention span than we used to. That we are at a moment in history when we want everything in bite-sized chunks. We make these micro-transactions in all sorts of ways. From the instantly ‘liked’ and instantly forgotten interactions to the chopping and changing between watching a film while flicking through our feeds.

Do we want bite-sized fiction too?

Well, I’m told we do. Actually, I’m told people enjoy reading tightly formed flash stories, such as those in my Nudge the Future collections – did I mention there’s a new one out? It’s called Biohacked & Begging. 

In this new collection I play around with the notion of micro-transactions. I touch on such things as micro-voting, renting your home by the hour, and the zero-hours contracts of the future.  It’s not all bleak (honest).

Short fiction is certainly not at all a new thing and I don’t think flash fiction will ever replace the full immersion of reading a novel, it’s a totally different experience.

Hopefully, these Nudge the Future collections fill a gap – they’re perfect for the commute to and from work, or for reading with your morning coffee.

Why not use them to create a small oasis of entertainment? Why not flit off to another place for a precious few minutes each day with a self-contained story?

And if they also prompt some pondering that’s great because don’t forget, The future is ours and it’s up for grabs…


“The more we surround ourselves with technology, the more uncanny our lives become. Enter Stephen Oram: with Bradbury’s clear-sightedness and Pangborn’s wit, he pulls ways to live out from under modernity’s “cacophony of crap.”” Simon Ings, Arts Editor, New Scientist.

Find out more about Biohacked and Begging

 


photo credit: SHAN DUTTA _DSC1241 via photopin (license)

Living forever and mailing lists

It’s always an honour to be asked to feature on a blog,  so I was pleased to be on Richard Dee’s showcase recently.

The great and unusual thing about Richard’s request is that he didn’t specify a particular topic or have a set of questions. It was entirely up to me, and for some reason I chose to write about mailing lists and living forever. Check it out here and leave a comment if you feel inspired to do so.

Open for submissions…

I’m really pleased to be able to announce that I’ll be curating another series of near-future fictions for Virtual Futures and this time I’ll be co-curating with Jule Owen, Allen Ashley, Britte Schulte and Vaughan Stanger.

It’s going to be good…

So, authors and poets, we need your best imaginings of the future of infection and infestation, of personhood, of war and of brains.

Successful stories and poems will form a series of live reading events in London between February and May 2018 with an opportunity to be included in an anthology of Virtual Futures Near-Future Fictions.

I’ve been asked about the fees to enter and payment if chosen; it’s a no fee, no payment London based event and we do ask that you attend in person (naturally, there’s no charge for you plus one).

If you’re unfamiliar with the Virtual Futures events, take a look at some of the video footage here https://m.youtube.com/user/virtualfutures

We are open for submissions until 21 December 2017 on the following themes:

The (dis)ease of the i-Mortal: Born of earth or brought back from far away, biological or viral invasions or diseases can affect humans on any scale; from protecting or plaguing an individual to becoming an epidemic that affects us all. Take on a topic that Literature has meditated on from its inception; from Defoe’s Journal of the Plague Year, to Mary Shelley’s The Last Man, to Marquez’s 100 Years of Solitude, to Camus’s The Plague, to King’s The Stand.
Show us the good, the bad, but not the bland; we are relying on you to predict the future of infection and infestation in any of its various forms. What is the nature of the diseases, contagions or contaminations have in store?
Curated by Allen Ashley and Stephen Oram

E-Me’s: The digital world is a personality playground that offers us an unprecedented ability to curate and create a public persona — but what does this ability mean for the future of personhood?
As the digital world expands around us and the Internet of Things combines the physical and virtual do we have a moral obligation to represent ourselves with truth and integrity in the digital realm, or should we view it as an opportunity to explore new and radical ontologies?
Curated by Britte Schulte and Stephen Oram

Tomorrow’s Battles: War has, so far, been inevitable throughout human history – but what will the future of conflict or cooperation look like? Will the discoveries of the future lead us to a world without violent disagreement, or just result in us killing one another in more creative ways? Paint us your future of what kind of conflict – or lack of – will emerge from the caldron of tomorrow’s technologies: what utopia or dystopia will we be exposed to?
Curated by Jule Owen and Stephen Oram

Post-Brain: As technology gets smarter and smarter, the human brain is forced to reflect on itself in the mirror of the future and question what value it will have in a world in which wet tech, cerebral hacking and commodified consciousness could reign. A world not of enhancement or augmentation, but replacement. We implore you to enquire what the future of our most precious organ will be, while you still have one.
Curated by Vaughan Stanger and Stephen Oram

The deadline for submissions is 21 December 2017 and successful authors and poets will be notified in January 2018.

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