Science and SciFi projects:

I’ve been working on science fiction projects with scientists and future tech folk since 2016 and intend to carry on for as long as they’ll have me.

First of all it’s worth saying that I realise science fiction inspired by emerging science is nothing new. In fact it could be argued that Mary Shelley wrote Frankenstein because of what she learned about the science of Galvani, Volta and Aldini via her father’s friends Humphry Davy and William Nicholson who were the era’s leading electrical researchers.

However, I’ve not come across many examples where the scientist and the science fiction author share a stage in front of an audience to read the stories and answer questions. Which is what I’ve been doing.

The purpose of this page is to give a bit of background to the projects I’ve been working on; if you’re interested in finding out more or working with me on similar projects please get in touch .


I write near-future science fiction, taking emerging science and technology and placing it in a speculative world. A world where it’s ubiquitous, but imperfect at interacting with us pesky irrational and messy humans.

So how does near-future fiction and emerging science and technology come together in these projects?

Firstly, for the purposes of good science fiction it’s vital to get a true albeit lay-person understanding of the science rather than relying on news stories, which can be alarmist and even wrong.

Secondly, collaboration gives me the opportunity to push the limits of the possible and the plausible in the knowledge that the experts I’m working with can validate it. That’s not to say that the stories that come from these projects are utopian and evangelistic for the science. Hardly any of them are, but they do try to paint a possible future. Although often with elements we would wish to avoid.

Striking the right balance between being overly positive and overly negative is a careful call because the apocalyptic sucks out any energy for hope and being naively positive ignores the problems we need to solve. Either extreme makes the story less useful for exploring possible futures.

The great thing about these projects is that they produce work that sits in that grey area between utopia and dystopia. This is partly because that’s where I like to place my stories and partly because through the process of working together, the scientists and by implication the science are humanised rather than demonised which in turn reduces the tendency of near-future fiction to be entirely dystopian. It’s also interesting how much the scientist’s personalities influence the fiction.

Often the project ends with us sharing a stage at a public event, which brings an added sense of responsibility.

In all of the projects where there is a public engagement aspect, the scientists have a right to veto the science in a story. Not the story itself, but the accuracy of the predicted technology or science. This is particularly important if we are to share a stage and be nice to each other.

Public event with Bristol Robotics Lab

Before I give an overview of how the projects tend to run, it’s worth mentioning some of the labs I’ve been working with.

The first lab I visited in 2016 was the Bristol Robotics Lab, as part of a project with the European Human Brain Project.

After a day spent at the lab, we three writers produced short pieces which were reviewed for plausibility by the scientists and then revised before being read at the Bristol Literary Festival as part of a panel with the scientists. I was also part of a panel presenting the work of this project at the Science in Public 2017 conference.

My story from this project was Eating Robots.

Because the Bristol Robotics Lab were so welcoming and engaging, they made me want to do more.

Bristol Literary Festival

In 2018, I worked with the Department of Developmental Neurobiology and the Department of Twin Research & Genetic Epidemiology at King’s College London as part of the Strange Brains, Alien Minds project. This involved two days of visits, a few weeks of story creation and editing in collaboration with the scientists and culminated in two events sponsored by King’s Cultural Institute and again by the Human Brain Project.

The first of these was an internal event for King’s College London of two panels to stimulate discussion. One was comprised of scientists from the participating labs and the second brought perspectives from history, philosophy and the social sciences.

King’s College London event for staff and students

The second event was open to the public and was a sell out. At Waterstones on Tottenham Court Road in London the authors from the project plus Jennifer Rohn and Ken MacLeod who both have plenty of experience in collaborating with scientists read the stories and discussed working with scientists.

My story from this project was Zygosity Saves the Day.

Event at Waterstones, Tottenham Court Rd.

In 2019, I worked on another fascinating project – Future Fictions of Finsbury Park – which was part of the Furtherfield Citizens SciFi project to celebrate 150 years of the park by considering its future. This involved leading a day long workshop with scientists from a broad range of disciplines (architecture, smart cities and urban mental health to mention a few) and residents of Finsbury Park. We discussed the emerging science and technology and how that might affect the future of the park and its surrounding area. As a result we built a world in which to base my short fictional story.

This was then read to an audience in the park followed by a session digging into what of this future world the audience wanted. For example, which of the characters they’d prefer to be – the resident of the park with their hand-to-mouth existence, the rich ship-dweller with mental health issues, or the highly skilled refugee looking for a home. We also touched on their appetite for bioengineered plants and bioengineered humans.

Reading in Finsbury Park

My story from this project was Long Live the Strawberries of Finsbury Park.


In my collections of short stories I have included responses from the scientists I have worked with and to give you a small sample here’s an excerpt from Professor Alan Winfield of the Bristol Robotics Lab and Dr Claire Steves from Twins UK.

“The problem with personhood is that it confers rights and responsibilities, but if an AI is to be held responsible for its actions there must be some way of applying sanctions when it causes harm. How to come up with a meaningful punishment for an AI is by no means obvious, but Stephen’s anxiety loop offers a thought-provoking future possibility.” Alan Winfield, Professor of Robot Ethics, UWE.

“I think the title of this moving piece should really be Compassion saves the day. Human compassion – from one person, Lara, to another, Beatrice. Their love enables them to beat the system. Sadly, the frightening future medical system in which they live is far from compassionate: removing freedom from the old and infirm, and passing judgement on individuals because of their past choices. The story shows how even apparently beneficial endeavours – such as understanding how to help an individual remain healthy into old age – can be misused if we are not careful.” Claire Steves, Clinical academic Deputy Director of TwinsUK and Consultant Geriatrician at Guys and St Thomas’s hospital.

Interview about the project with Twins UK

The projects have all been fascinating and have given me the opportunity to see behind the scenes and to get paid to research and write science fiction. I recognise that with this privilege comes responsibility and one of those responsibilities is to make sure that as far as possible the projects have a long lasting impact. That’s where Dr Christine Aicardi comes in.

She is a senior researcher in science and technology studies in the Foresight Lab of the Department of Global Health and Social Medicine at King’s College London, has been a fulltime collaborator of the Ethics and Society subproject of the Human Brain Project since 2014, and the driving force behind the projects with KCL. As a key element of the projects she has interviewed the scientists, the writers and surveyed the audiences about their experiences and how they have been influenced and affected by the process and the stories.

Dr Christine Aicardi at Virtual Futures

Based on this research she very kindly agreed to write the foreword to my second collection, Biohacked & Begging, in which she says: “[…] it seems that the most ethically engaged scientists and seasoned public engagement actors can discover new ways of thinking thanks to their encounter with near-future fiction.”

She also says in the foreword that: “[…] one such scientist told me that although he had always been an avid science fiction reader, inspired and influenced by it, this had been mostly far future hard sci fi; but his collaboration with us got him interested into near-future fiction, which he was reading a lot more since, and he thought the best of it was especially good for bringing out deep sociological perspectives. He added, it had also triggered the realisation that what they were doing in his lab was turning fiction into facts, was realising what had hitherto been only imagined: for him, the best stories are thought experiments, and as a scientist there is a responsibility in the choice of which imagined future to help turn into fact.”

Another important insight she has shared with me is that, “for historians of science, the science fiction of an era is a precious source of primary material, which can shed additional light on the complex, historically and geographically situated, relations between science, technology and society.”

I owe a great deal to Christine, especially in expanding my experience of how to get the best out of these collaborations.

As I mentioned at the top of this page, I’m keen to do more of these types of projects and to continue to learn how they can contribute to a strong and positive future.

As I’ve often said, “The future is ours and it’s up for grabs…”

Please contact me if you want to discuss a project or have an idea we can work on together.


Images:

photo credit: Rusty Russ Twisted Tree ReTwisted via photopin(license)

photo credit: mclcbooks Roots via photopin(license)

photo credit: corno.fulgur75 13e Biennale de Lyon: La Vie Moderne 2015 via photopin(license)