Whether to write dystopian or utopian stories is an ongoing choice for science fiction writers and something I’m often questioned about. I’ve been pondering this for a while and my thoughts to date are featured in this month’s Focus, the British Science Fiction Association’s magazine for writers.
As the editor says, “Stephen discusses the implications for writers and also explores whether it’s a binary choice between the two.”
PS this was written before the current crisis, but it’s probably even more pertinent now.
It’s a well-known saying among writers that you have to read to write. I imagine that’s the same for any craft – the more you see of other people’s work the better your own becomes.
I’m in the fortunate position at the moment of being the lead-curator for a series of science fiction events themed around the near-future (links to them are on my future events page). This means that not only do I get to read all the submitted stories and choose the best with my co-curator, I also get to hear the authors read their stories on the night.
And, it may sound like a cliché, but it really is a privilege.
Talking of which, it’s also incredibly pleasing that Vector, the critical journal of the British Science Fiction Association, has published an article on the thinking behind these Near-Future Fiction events.