If We Were Us – a collaborative piece by the London Clockhouse Writers
Tag Archives: Sein Und Werden
I’m very pleased to have another short piece – Shame Stains – in the wonderful Sein Und Werden, guest-edited by Allen Ashley.
The theme of this issue is Last Chance Filling Station which made me think of climate change and COP26 was in the back of my mind when I was writing it.
If you’re not familiar with this quarterly online magazine then here’s what it says about itself: “The goal of ‘Sein und Werden’ is to present works that evoke the spirit of the Expressionist, Existentialist and Surrealist movements within a modern context, which I like to call ‘Werdenism’.”
You can read it here
Of Human Bondage
I’m really pleased to have a short piece called Reclamation in the Winter 2020 edition of Sein Und Werden (Being & Becoming).
This is an online literary magazine of experimental prose, poetry and artwork that seeks to merge and modernise the ideas behind Expressionism, Surrealism and Existentialism.
They set out their manifesto as:
‘Sein und Werden’ is a quarterly online (and occasional print) journal of arts and letters. The title comes from the Expressionist concept of Sein und Werden – ‘being and becoming’, the notion that we are born as nothing and only through experience do we become who we are (an idea shared with Sartre in his work ‘Being and Nothingness’). Using certain techniques of cinematography to create lengthened shadows, twisted stairways and a distorted mise-en-scène, the Expressionists were able to depict a nightmare world that would later influence a number of other cinematic developments, such as film noir, as well as leading artistic movements. One such group who owed much of their technique to Expressionism were the Surrealists, who played with these concepts to create bizarre images of the subconscious, making use of dreams and automatic writing. The goal of ‘Sein und Werden’ is to present works that evoke the spirit of the Expressionist, Existentialist and Surrealist movements within a modern context, which I like to call ‘Werdenism’.
The theme of this edition is “Of Human Bondage” and there are forty pieces in all so plenty to keep you busy for a while – enjoy.