“The more we surround ourselves with technology, the more uncanny our lives become. Enter Stephen Oram: with Bradbury’s clear-sightedness and Pangborn’s wit, he pulls ways to live out from under modernity’s “cacophony of crap”.”
Simon Ings, Arts Editor, New Scientist.
“Oram is a soothsayer for this century’s relationship with technology. His stories will take you on a wild ride through the infinite consequences of advances in IoT, AI and more but be warned: his stories leave a mark.”
Chris Thornett, Editor Linux User & Developer Magazine.
“Both Kubrick’s exhibition and Oram’s collection should set the rest of us thinking about science and its possible repercussions.”
Chris Nuttall, The Financial Times
“Stephen Oram combines the sharp edginess of a JG Ballard with the vaulting inventiveness of a modernist Ovid […] the least didactic writer around […] a thoughtful entertainer. An author rapidly establishing himself as the leading voice on how technology may determine the ways in which societies and individuals are structured in the years to come.”
Recently, I had the privilege of reading the first chapter of my latest novel, Fluence, at Novel London – a literary event with an intimate audience that’s held once a month in different venues around central London. Take a look at the photo above and the video below to get a sense of the location and the lofty position the authors occupied.
It was a significant evening for me in many ways. Partly because it’s the first recording of me reading from Fluence, but also because it was held in the St. Pancras Clock Tower which used to be a dilapidated building and top of my list of places to squat.
Whenever I read in public it always strikes me that although I love reading to an audience, I enjoy signing books and chatting afterwards as much and this was no exception. All in all it was a great event and the readings, the tower, the wine and the audience all added up to a friendly and enthusiastic evening. What more could you ask for?
I hope the first chapter will give you enough of a taste to make you want to read the whole book!
Recently, I spent a couple of hours with MA students at London’s City University as part of their module, Developing Creative Content.
I was asked to speak about being an indie author and particularly about marketing.
Now, I’m no marketing expert by any stretch of the imagination. Proof of that is the drawing at the top of this post by my global marketing friend explaining the concepts of the marketing funnel to me over a pint. But, as a result of his patience, a few pints and the penny dropping, I now get it.
It’s about letting people know you’re there, letting them try stuff for free and making a connection with those that like it. And, that’s what I’m doing.
Of course, there’s a shed load of marketing and sales advice out there so I focussed the talk on my own experiences, explaining what I’ve done and why.
As ever, when doing these sorts of things, I learned a lot from preparing the talk and a whole load more from the questions on the day. I was especially pleased with the invaluable insights the students gave me on the look and feel of my free offer.
So, firstly a big thanks to Brenda Stones from City University and secondly if you have students that want to hear from and question a real-life indie author, please drop me a line.
Brain hackers, brain professors, brain artists, the human brain project, a brain curious audience and me.
We were all there for the Virtual Futures Salon about NeuroStimulation.
It was my first ‘gig’ as the Author in Residence and I have to say I thoroughly enjoyed it. The venue was a bar in Soho, London and the place was buzzing with conversation, debate and towards the end with electricity being zapped through some willing brains.
My story, written especially for the evening, is set in a call centre of the future and based on the notion that NeuroStimulation has become the everyday way of boosting your brain.