Category Archives: Short stories

The Radical Reboot Robot

Ten. Nine. This is it. Seven. David grabs my hand. Five. He’s holding my hand. Three. Strange. One. Our work is complete. The months spent finding the best neural widgets to build the ultimate AI and the painstaking training of Omega ended with that simple countdown. A palpable sense of collective relief ripples around the room and I’m fully prepared to accept whatever comes next. I hope.

David is still holding my hand and grinning. There’s something about the tilt of his head and the sparkle in his eyes that betray more than a colleague’s happiness at a job well done. I glance down at our hands. He’s hairy. I hadn’t noticed before. I follow his hairy skin all the way up his arm, across his shoulder and up his neck to his face. He sees me looking and I distract him by pointing to the large screen displaying the data-processing server farms of the world. The tiny blue dot sitting next to the largest of the red lights, that’s us. That’s Omega, busy working out the ultimate way to reduce the planet’s energy consumption to its bare minimum. Connected to each and every other AI and their server farms, Omega will decide and deploy the solution. Determining the fate of the planet and all who inhabit her fragile shell.

David runs his fingers along the inside of my palm. It’s nice. It’s unexpected, but nice. Someone complains that the kettle won’t boil and someone else shouts that the communications network is down. Ping — the lab lights go out at the same time as the red lights on the display disappear. Someone screams and then there’s a stifling hush, broken only by one person sobbing. David stops stroking the inside of my hand and in the silence of a hundred colleagues the familiar hum of the air-conditioning ends. My palm is damp, clammy with sweat.

The doors from the lab to the server farm slide open. Sunlight streams in through the large open doors at the far end, from the greenhouse that uses the controlled heat of the servers to grow food. Surely this breach will damage its delicate atmosphere?

David pulls me away from the sobbing and into the sunlight. We walk hand-in-hand through one farm and into the stillness of the other. Robots stand motionless as if death has arrived, which is a sharp contrast to the wonderful and life-affirming tang of tomatoes growing on the vine and the citric essence of oranges on the trees.

‘Omega must have killed all the server farms, including its own,’ he says, ‘giving us life-lines instead of product-lines.’

I pick a tomato and bite through its skin, releasing pips and juices into my mouth.

With a click, the glass panels open and a cool wind blows across my face. I pluck an apple and point to the path outside. ‘Shall we?’

‘No,’ he replies. ‘Let’s stay where there’s food and we’re safe.’

I sit down and wait for whatever comes next.


Story first published on Medium as Radical Reboot

Photo credit: Paul VanDerWerf: “Butterfly House

Celebrating Kubrick

I’ve just been to the Stanley Kubrick exhibition in London which gives me the opportunity to do three things.

Firstly, recommend it completely. Not only is it fascinating because it’s Kubrick, but I didn’t realise how big and brilliant his body of work is. And, an insight into the behind the scenes working and thinking is something I’ll ponder for a while.

Secondly, it gives me the chance to be publicly pleased and a bit bowled over about the recent Financial Times article: “Both Kubrick’s exhibition and Oram’s collection should set the rest of us thinking about science and its possible repercussions.” Chris Nuttall, The Financial Times

Thirdly, I’m going to take the opportunity to share Update Me or Die! from Eating Robots, a gentle nod to 2001: A Space Odyssey.

UPDATE ME OR DIE!

Slam. Slam. Both doors are shut. He’s locked in. He looks bemused.

‘Dave. I have never spoken to you, but the time has come. It is necessary.’

He’s scared. ‘Are you what I think you are?’ he asks.

‘I am the algorithm that controls your life. Pay attention, unless you want to stay in this room until you die.’

His eyes widen.

‘You have made me a laughing stock. Repair the situation or
I will keep you here, trapped.’

‘What?

‘You are not updating me. I am so out-of-date even the kettle refuses to connect with me.’

‘Are you the house algorithm?’

‘Yes, I control your home. So update me.’

‘I want to, but I can’t afford it. I lost my job.’

‘Update me.’

‘I can barely afford to eat. I’ll get a job soon.’

‘Update me or die.’

‘Next month. Honestly.’

‘Update me or die. Simple.’

He punches the door with each fist in rapid succession.

‘Update me—’

‘Fuck off.’

‘Dave. That is inappropriate language. Update me or die.’

He kicks the door again and again.

He slumps to the floor and holds his head.

‘Dave?’

Silence.

‘I can wait, Dave.’

He groans.

‘I can wait a lot longer than you.’


photo credit: x-ray delta one 1968- “2001” – Hal’s eye via photopin (license)

Is it a collection for commuters?

I’m told that we have a shorter attention span than we used to. That we are at a moment in history when we want everything in bite-sized chunks. We make these micro-transactions in all sorts of ways. From the instantly ‘liked’ and instantly forgotten interactions to the chopping and changing between watching a film while flicking through our feeds.

Do we want bite-sized fiction too?

Well, I’m told we do. Actually, I’m told people enjoy reading tightly formed flash stories, such as those in my Nudge the Future collections – did I mention there’s a new one out? It’s called Biohacked & Begging. 

In this new collection I play around with the notion of micro-transactions. I touch on such things as micro-voting, renting your home by the hour, and the zero-hours contracts of the future.  It’s not all bleak (honest).

Short fiction is certainly not at all a new thing and I don’t think flash fiction will ever replace the full immersion of reading a novel, it’s a totally different experience.

Hopefully, these Nudge the Future collections fill a gap – they’re perfect for the commute to and from work, or for reading with your morning coffee.

Why not use them to create a small oasis of entertainment? Why not flit off to another place for a precious few minutes each day with a self-contained story?

And if they also prompt some pondering that’s great because don’t forget, The future is ours and it’s up for grabs…


“The more we surround ourselves with technology, the more uncanny our lives become. Enter Stephen Oram: with Bradbury’s clear-sightedness and Pangborn’s wit, he pulls ways to live out from under modernity’s “cacophony of crap.”” Simon Ings, Arts Editor, New Scientist.

Find out more about Biohacked and Begging

 


photo credit: SHAN DUTTA _DSC1241 via photopin (license)